"I know it was dawn, because there were lark-noises in the sky, and the grass looked as if it had been left out all night."
But that's not what I came to write about.
This news story
is old news now, but in my defense, there is a timelag on news reaching me here. I'm not qualified to comment really, as I've not read the book, but I have a suspicion that puts me on a par, in one aspect at least, with the spokeswoman for The Commission for Racial Equality.
I shall elucidate.
To summarise, the Co mission for Racial Equality (CRE) have complained that "Tintin in The Congo" is racist and should be removed from sale. Racist material in children's books is a topic fraught with exposed nerves and bruised opinions, in short, a touchy subject. Borders, the chain cited for peddling the book to minors, have moved it to the adult section, where presumably it will join "Tintin in the Land of the Soviets" from the same era.
The CRE response is quoted directly from the bbc news website below.
The CRE spokeswoman said: "How and why do Borders think that it's okay to peddle such racist material?"
"The only place that it might be acceptable for this to be displayed would be in a museum, with a big sign saying 'old-fashioned, racist claptrap.'
"It's high time that they reconsidered their decision and removed this from their shelves," she added.
Comment on this seems almost superfluous, so I shall edge around it.
A common response seems to be 'it has been on sale since 1931, what does it matter?' While it is true that the CRE have not been quick off the mark, this has no bearing on the matter - The penultimate surviving ship from the Battle of Trafalgar was scuttled in 1947, an action which would surely never come to pass now. You may be thinking this has nothing to do with Tintin or racism, and you would be right in that belief; I wanted an example that didn't use attitudes towards race as they remain, as the spokeswoman's outburst proves, a difficult subject. What is important is coming to terms with one's own cultural past, not hide it in museums with opinionated and inflammatory signs. It is also important to choose your targets well. Banning a Tintin book when the complete works of The Marquis de Sade and 'Mein Kampf" remain in print is perverse.
The museum idea is interesting, as the contents of my favourite museums, The Pitt Rivers Museum in Oxford, come principally (and I did have to look this up) from the collection of Lieutenant General Augustus Henry Lane Fox Pitt Rivers, an old colonial whose views on race would probably send the CRE into apoplexy. Gosh, I do enjoy that word.
3 Comments:
I think it takes exposure to the kind of racism still prevalent in part of the USA to stir a deep anger and understanding of what it entails. (I visited the Civil Rights Institute in Birmingham, Alabama, after being at a social gathering where I realised that some whites had changed little since the '60s)
You might find it an interesting exercise to consider attitudes to gays in society - or to women, come to that. But I don't know when banning becomes useful - if ever. Do you recall reading The 39 Steps in S2? These two opening chapters are full of racial stereotyping expressed in the most blatantly non-pc language!
I forgot to add the caveat that as a university-educated, white, straight male I'm not of a demographic susceptible to attack in this sort of way, but can only relate the experience of a friend of mine of jewish descent who was moved to tears upon meeting a National Socialist in a pub here, who wanted to talk to her about "cleaning the country." She was still visibly upset by it in the retelling. I'm not for one moment suggesting that abuse for things outwith your control is either acceptable or trivial, but to ban reference to such things is to attempt to pretend they never happened. In Germany of course coming to terms with the recent past has taken 60 years, and the process is still not complete.
I do indeed recall The 39 Steps, but then, I was raised on Enid Blyton, who is vilified for being frightfully xenophobic. It's been too long since I turned the pages of The Castle of Adventure to pass comment, but I'd read the Richard Hannay series prior to S2 excepting The Island of Sheep, and certainly recognised then that it was a world half-imagined and long past. Perhaps I am underestimating the intuitive nature of children. This requires more thought, from greater minds than mine I expect. Is King Solomon's Mines racist? I may be misquoting Quatermain slightly but I believe he states near the novel's beginning "I dislike the word nigger, and I know a great many natives a good sight more gentlemanly than a great many Englishmen I know." I only read it a few months ago, but I'm sure I'd've enjoyed it as a kid, it's jolly exciting. I shall ponder some more
I adored KSM and its sequel, Allan Quatermain, as a child; I must look them out and see how I feel now.
Post a Comment
<< Home